Wool Painting
Flat needle felting onto a background, built up like an oil painting — dark to light, back to front. The method, the materials and the framing.
5 min read Intermediate
Flat needle felting onto a background, built up like an oil painting — dark to light, back to front. The method, the materials and the framing.
5 min read Intermediate
A wool dread is a length of roving rolled between wet, soapy palms until it locks. Twenty minutes of rolling per dread, and the difference between good and bad ones is entirely in the fulling.
4 min read Intermediate
The wet felting method for wool balls: fast, repeatable and much better than needle felting when you need a garland's worth rather than one.
4 min read Beginner
Felt is the easiest fabric an embroidery machine will ever meet — no fraying, no grain, and it is its own stabiliser. Almost. The two places it goes wrong are density and hooping.
4 min read
A first wearable piece. How thin to lay the wool, how much length to add for shrinkage, and why a scarf needs less felting than you would think.
4 min read Intermediate
Wet felting makes bodies, not faces. Build the animal as a hollow form over a resist, full it hard, then dry-felt the detail on top — that combination is how the best felted animals are made.
4 min read Intermediate
Two different things go by this name — a felt tote in the Birkin silhouette, and the felt organiser that sits inside a real one. Both come down to how stiff the felt is.
4 min read Advanced
Baubles, puddings, robins, stars and garlands — ornaments built from the two or three shapes you already know, sized so a set gets done before December.
4 min read Beginner
A felt slipper is only as good as the sole it is joined to. Cork, rubber, leather and bare felt each behave differently on a wooden floor — and only one of them can be replaced.
3 min read
A mouse is one shape. Get the teardrop right — fat at the back, tapering to a point at the nose — and the ears, tail and eyes take five minutes.
4 min read Beginner
Cobweb felt is wool laid so thinly it has holes in it on purpose — lace-light, full of gaps, and the most forgiving advanced technique in wet felting.
4 min read Intermediate
Wool paintings are laid, not brushed, and they move when they get wet. How to compose a felted picture that still looks like your sketch afterwards.
4 min read Intermediate
Sculpt wool into animals, figures and decorations with barbed needles. Start with the basics, then work up to armatures, faces and fine detail.
Warm water, soap and friction turn loose fibre into solid fabric. Learn layouts, shrinkage and resists for scarves, soaps, vessels and flat felt.
Felt merino through open-weave fabric to create light, drapey textiles. Fabric choice, fibre weight and migration, explained clearly.
Printable templates, measurements and shaping guides you can follow exactly, or adapt once you know what the shapes are doing.
The core techniques, one skill at a time — each written as a sequence you can follow at the table with wool in your hands.
Which needles, wool and mats are actually worth buying — what the gauges mean, what to skip, and what a starter kit really needs.
Fixes for the things that go wrong: fuzzy surfaces, broken needles, wool that will not felt, and shapes that refuse to hold.
The knitting side of working with wool — leaf patterns, casting on, needle sizes and knitting faster — including the pieces that go on to be felted.
Why leaves fall when they do, what a cobweb actually is, and the seasonal makes that follow from both.
What to do with the pumpkin once it is carved — cooking from fresh, including the parts most people throw away.